Thelma Todd and the Hollywood Death That Refuses to Be Explained
- Daniel Holland
- 10 hours ago
- 6 min read

On the morning of the 16th of December 1935, a maid opened the door of a private garage in Pacific Palisades and found one of Hollywood’s most recognisable faces slumped forward in the driver’s seat of a luxury car. The actress was only 29 years old. By nightfall, newspapers across the United States were asking the same question that still lingers today: how did Thelma Todd really die?
Todd was not a fading star or a forgotten supporting player. She was one of the most prolific female comedians of early sound cinema, a businesswoman, and a familiar presence in Hollywood social life. Her sudden death, officially ruled accidental carbon monoxide poisoning with “possible suicide tendencies,” quickly became one of the most contested deaths of the studio era. Like Marilyn Monroe decades later, the unanswered questions surrounding Todd’s final hours ensured that public fascination never entirely faded.

From Massachusetts to the Movies
Thelma Alice Todd was born in July, 1906 in Lawrence, Massachusetts, to John Shaw Todd and Alice Elizabeth Edwards. Her father, originally an upholsterer from Ireland, later held several civic positions including superintendent of streets and commissioner of health and charities. Her mother was a Canadian immigrant who placed great emphasis on respectability, education, and social advancement.
Todd was academically capable and well liked. She attended high school in Lawrence and graduated in 1923 with the intention of becoming a schoolteacher. That plan led her to enrol at Lowell Normal School, now the University of Massachusetts Lowell. At the same time, she began modelling and entering beauty contests, partly at her mother’s encouragement and partly as a way of earning money while studying.
Beauty pageants proved unexpectedly consequential. Todd won the title of Miss Lawrence in 1925, followed by Miss Massachusetts later the same year. While representing the state, she caught the attention of a Hollywood talent scout and was offered a place at the Paramount Players School in Astoria, Queens. The school trained young hopefuls in acting, diction, movement, and etiquette, preparing them for studio contracts. Of the 16 students in her cohort, only Todd and Charles “Buddy” Rogers went on to lasting film careers.
Building a Screen Career
Todd entered Hollywood at the tail end of the silent era. Early roles capitalised on her appearance but offered limited scope for comedy or character work. That changed with the arrival of sound films. Her sharp timing, calm delivery, and understated reactions made her particularly effective in slapstick situations, especially when paired with more chaotic performers.

Her career gained real momentum after she began working at Hal Roach Studios in 1929. Roach recognised her potential as a comic lead and, in 1931, launched a series of short films built around her persona. Initially paired with ZaSu Pitts, Todd appeared in 17 shorts between 1931 and 1933. When Pitts left the series, she was replaced by Patsy Kelly, with whom Todd made 21 further shorts through early 1936.
In these films, Todd often played the sensible, self controlled woman trying to navigate romantic misunderstandings, workplace disasters, or domestic chaos caused by her well meaning but exasperating partner. The contrast became the foundation of her comic appeal.
Beyond the Roach shorts, Todd appeared opposite many of the era’s most significant comedians. She worked with the Marx Brothers in Monkey Business and Horse Feathers, with Buster Keaton and Jimmy Durante in Speak Easily, and in films featuring Wheeler and Woolsey, Joe E. Brown, and Laurel and Hardy. She also demonstrated dramatic ability in films such as The Maltese Falcon in 1931, playing the calculating widow of Miles Archer.
By the time of her death, Todd had appeared in approximately 120 feature films and shorts in less than a decade, an extraordinary output even by studio era standards.
Roland West and a Complicated Partnership
In 1931, Todd starred in Corsair, directed by Roland West. West was an established filmmaker whose career had peaked during the silent era and was already in decline by the early 1930s. The two became romantically involved, and their personal and professional lives soon became entangled.
In 1934, Todd entered into a business venture with West and his estranged wife, actress Jewel Carmen. Together, they opened Thelma Todd’s Sidewalk Cafe at 17575 Pacific Coast Highway in Castellammare, Pacific Palisades. Designed by architect Mark Daniels, the building had originally been constructed in 1928 as part of a housing development.

The cafe quickly became a popular destination for Hollywood figures and tourists alike. Upstairs, the arrangement was unconventional. Todd and West lived in adjoining apartments separated only by a sliding wooden door. Carmen lived in the same building, and the second floor also housed a private nightclub called Joya, named after Carmen. The top floor contained a hexagonal dance floor and bandstand used for private events.
Despite its glamorous reputation, the cafe struggled financially. According to later accounts, tensions grew as losses mounted. Carmen reportedly blamed Todd and threatened her when profits failed to materialise.
Personal Life and Volatile Relationships
Todd’s private life was marked by instability. She was briefly married to Pat DiCicco, a talent agent with alleged organised crime connections. The marriage was volatile and, by multiple accounts, abusive. Todd eventually filed for divorce and revised her will to leave DiCicco only one dollar.
She was also linked socially to figures associated with organised crime, including Charles “Lucky” Luciano. Contemporary rumours suggested a turbulent relationship, with claims that Luciano attempted to pressure Todd into allowing gambling operations at her cafe. According to diners who later recounted overheard conversations, Todd refused, reportedly saying she would allow it “over my dead body.” Luciano’s alleged response, “That can be arranged,” became one of the more chilling details cited in later speculation.
The Night Before Her Death
On the night of 14th of December, Todd attended a party at the Trocadero, a fashionable Hollywood nightclub, hosted by entertainer Stanley Lupino and his daughter Ida. Several friends later stated that Todd appeared in good spirits throughout the evening.
At the Trocadero, she encountered her ex husband DiCicco. Witnesses described the interaction as brief but unpleasant. In the early hours of 15th, Todd was driven home by her chauffeur, Ernest O. Peters.
What happened next remains unclear.
The Discovery
On the morning of Monday the 16th, Todd’s maid Mae Whitehead, found her employer inside her chocolate coloured 1934 Lincoln Phaeton convertible. The car was parked inside the garage at Jewel Carmen’s residence, located roughly a block uphill from the Sidewalk Cafe.
Todd was still wearing an evening gown, mink wrap, and jewellery. Whitehead later told police that Todd was slumped forward in the seat, her head tilted to one side. She also reported blood around Todd’s nose.
The official cause of death was carbon monoxide poisoning.

Investigation and Conflicting Accounts
Roland West told police that he had locked Todd out of their apartment after an argument and believed she had gone to the garage to warm herself in the car. LAPD detectives concluded that she had either started the engine to drive home or used the heater for warmth and succumbed to exhaust fumes.
An autopsy conducted by surgeon A. P. Wagner reported no marks of violence beyond a superficial contusion on the lower lip. A coroner’s inquest held on on the 18th of December ruled the death accidental but recommended further investigation.
A subsequent grand jury probe lasted four weeks and examined claims of extortion threats, rumours of physical injuries, and testimony from Todd’s associates. The Los Angeles Times reported that investigators were aware of extortion demands made against Todd in the months before her death, though no evidence connected them directly to the incident.
“The officers turned to probable reason for death by foul means. Within the past three months two men had been arrested in New York in connection with extortion notes and telephone calls received by Miss Todd, demanding $10,000 under penalty of death. But there were no signs of violence at the scene of her death.”
The grand jury ultimately found no evidence of murder. The Homicide Bureau closed the case, describing the death as accidental with possible suicide tendencies. Todd left no suicide note, and friends testified that she had expressed plans for the future.

Lingering Doubts
Despite official conclusions, questions remain. The Chicago Tribune later noted inconsistencies between reported injuries and the ruling, remarking that the jury had not explained Todd’s broken nose, bruising, and cracked ribs mentioned in informal accounts.
“While a grand jury ruled that Todd committed suicide, it was unable to explain her broken nose, the bruises around her throat and two cracked ribs. Apparently, the grand jury thought Todd also beat herself to death.”
Speculation has continued for decades, implicating figures ranging from West and Carmen to DiCicco, Luciano, and even Todd’s mother, who inherited her estate.
No theory has ever been substantiated.
Aftermath and Legacy
Todd’s memorial service drew large crowds to Pierce Brothers Mortuary in Los Angeles. Her body was cremated, and after her mother’s death in 1969, her remains were buried alongside hers in Bellevue Cemetery in Lawrence, Massachusetts.
Her final film appearance was in Laurel and Hardy’s The Bohemian Girl. Although Todd had completed all her scenes, producer Hal Roach ordered them largely removed to avoid negative publicity, reducing her role to a single musical number.
Nearly 90 years later, Thelma Todd remains emblematic of early Hollywood’s contradictions: success and vulnerability, glamour and instability, public adoration and private turmoil. Her death endures not because it was unique, but because it was never satisfactorily explained.
























