John Everard was a First World War veteran turned photographer who quietly shaped British nude photography for over three decades. From Orange Street studios to Savile Row collaborations, his work focused on form, restraint, and persistence rather than provocation.

During World War Two, British saboteurs hid explosives in coal, wine bottles, and even dead rats. The explosive rat never detonated, but it caused panic across Nazi Europe. A strange story of fear, psychology, and wartime ingenuity.

Hans Eijkelboom’s 1977 project With My Family saw him replace absent fathers in real family portraits. The images look ordinary, which is exactly the point. A quiet but unsettling study of trust, politeness, and social conformity in everyday life.